My parents joined in the 60s and at that time it was really important - there was a group mentality. I could be pulling this out of my ass, but I feel our generation approaches things on a more individual basis, like we're more personal and don't need to be a part of a group.

I really feel like there's a void in this world for music that acknowledges that spiritual aspect of these activities as well as just the sheer physicality of them.

I feel like with our shows it always feels weird to be performers on stage and not engaging in audience interaction in some way - that exchange of energy is very much a part of the sound.

I had writers block for months afterwards because I was just so taken aback by all of the sounds I was hearing. It's almost like hearing the most beautiful music you've ever heard, so you're like, "What's the point of me making anything?" It was this living sonic organism so the idea of recording something just seemed like taking this living thing and mummifying it.

I always look at that stuff as something that's not a separate entity from the music but a visual representation of the music. I feel like your external appearance should be in harmony with your internal appearance. That's mainly our approach to the visuals.

We [with Nimai Larson] listened to hardly any music except Hare Krishna music growing up and the occasional Garth Brooks that our babysitter would play for us. From a very early age, we looked at music as mantra based, very cyclical, and having no linear time.

One of the reasons why I chose to live in New York was that there is this sense of your environment constantly changing.