I want to see everything. I guess the positive version of not seeing or not knowing would be preservation of fantasy.

Simulations directly relate to the process of and complications in photography. They also overtly create layers of fantasies, myths and interventions... The simulation confuses the idea of a truth. I've always been interested in this kind of theater and illusion at the foundation of belief.

Photography's history is bound to the mistake, to the accident.

There is no truth in photography. One can't reproduce an absolute truth. That said, I don't see [my photographs] as being any less truthful than any other photographs.

In my work, I construct texts and images. Between those two points the blur occurs. Each is altered by the other again and again, back and forth.

My work is drawn to the political but avoids an agenda. There is no inherent critique or support.

I'm designing a seductive frame to attract an audience to a subject they would otherwise ignore. And that's what I do in all of my photography - give a stage to things that wouldn't normally receive that stage.