There is no truth in photography. One can't reproduce an absolute truth. That said, I don't see [my photographs] as being any less truthful than any other photographs.

Photography's history is bound to the mistake, to the accident.

My work is drawn to the political but avoids an agenda. There is no inherent critique or support.

You come to the photograph as an aesthetic object with no context... Then you step in and read the text and then out again to revisit the image in a completely different way. I'm interested in that space between text and image. The piece becomes the negative space between the two.

There is no truth in photography. One can't reproduce an absolute truth. That said, I don't see [my photographs] as being any less truthful than any other photographs.

In my work, I construct texts and images. Between those two points the blur occurs. Each is altered by the other again and again, back and forth.

Archives exist because there's something that can't necessarily be articulated. Something is said in the gaps between all the information.