How you go about moving within the world you live in says so much about who you are.

We do long-form-style improv. Our focus was characters and telling a long arc story over about an hour and a half. It was closer to a one-act play than one-off sketches.

I think that's why it's difficult for women when they watch TV and we see one version of a woman who is attached at the hip to a guy, and that's kind of her whole thing. You kind of go, 'I don't relate to this, I don't feel this.' You know? Maybe somebody does, but not everyone. That's the other thing about storytelling, is you can't represent everybody. You know, you can't seek to do that. You have to tell stories that you're interested in talking about and characters that intrigue you.

Young women are now looking at me for cues. That's definitely been a responsibility. But I feel like I was ready to take on something like this because I wanted to be challenged and I wanted to be afraid, and that's definitely what it's done for me.

I'm running on adrenalin when we're shooting. It's non-stop. As soon as I have time to sit down, then I fall asleep.

I like 'Futurama.' That's kind of the only thing that's my sci-fi thing, although I was big into zombies for a time.

I'm super sad to have it finish because it's been such a dream job, but it's nice to know there's a conclusion.