I'm at the transition place myself, still playing high school girls but moving to a stage when I'm playing older roles and going to the places of stillness and wisdom and knowledge and weight. It's exciting and scary.

There's something really unique about Orphan Black is that it has a lot of female leads, so it's about a lot of women's stories, but it's not women’s stories in terms of trying to find a guy or keep a guy; it's about entirely other things.

Sex isn't hard, but intimacy is terrifying.

The whole press thing and who you are in the media, or what you have to project yourself to be, it feels very much like another person. People say to me, "Oh, your life must be changing," and I'm like, "Uh, I guess?" For me, it's such a gradual change, and I don't see it from the outside like everybody else does. It's weird, I see my face on a bus or online or somebody has my picture as their picture on Twitter and it's all a bit weird and I feel very disconnected from it and very much, "I guess that's me." It's very surreal.

I love hip-hop; I love Sleigh Bells. I also love classical music and musical theater.

As artists, you always want to push yourself. There's always new territory.

There's something about music that makes me feel like a different person, that feels like an escape.