I'm at the transition place myself, still playing high school girls but moving to a stage when I'm playing older roles and going to the places of stillness and wisdom and knowledge and weight. It's exciting and scary.

I try to get roles that challenge me in what I can do and who I think I can portray. For me, it's about creating characters with really fascinating stories, because that's what I like to watch on TV.

I love nerdy work. I love writing notes. I try to go back, as much as I can, to feed what happens and why they do what they do.

It's wild to be seen differently and have more visibility, but it's rewarding.

You're hot for two seconds, and you're struggling to get work again. If it were easy, I don't think that's a good place for an artist to work from.

Trust your gut. You know yourself, so don't let somebody else tell you who you are.

I think there's something really freeing about improv, that it's a collective, creative, in-the-moment piece. That's really exciting and really frustrating, because it's there and gone. There's an amazing interaction with the audience that happens because they are very much another scene partner. How they respond determines the kinds of stories we tell.