The most bizarre demographics come up to me. Men in their 50s come up to me and are like, "Alison is my favorite. I hated her at first, and now I love her." I don't know what that says about people's psychology.

I was in a Nativity play as a kid. Back then, I played the donkey.

I've learned a lot about the limits of what I can do, as an artist, or what I'm willing to do. It's a lot of responsibility to carry a show and to speak to people on different levels.

I love people, watching people interact. It's a lot of psychology. We learn about ourselves by watching other people's lives on the screen.

You're hot for two seconds, and you're struggling to get work again. If it were easy, I don't think that's a good place for an artist to work from.

I grew up in Canada, man - we all had rinks in our backyards because we'd ice down the grass with a hose and build a skating rink.

For me, comedy literally is way more terrifying than doing drama, so it's always about stretching what I think I can do and putting myself out there in different context.