I grew up in Canada, man - we all had rinks in our backyards because we'd ice down the grass with a hose and build a skating rink.

As a kid, I wanted to be a boy because I equated that with strength. There's a problem with that. It's only growing into my own womanhood that I realize how warped that is that I was attributing strength to male qualities.

I'm an actor, so I'm interested in the pursuit of storytelling and character and challenging myself and expanding my craft. That's not something that ever ends, because as you grow as a person, so does your capacity to play different characters. New things come up, new things you want to explore and new stories you want tell about life and your knowledge of things. I don't think there's ever going to be that satisfaction of "and now, comfort."

I see a lot of things I'm so excited and hopeful about film and TV in Canada. There's just a huge movement, I think, in seeking an identity as Canadians, and really forging it and really embracing all the parts of us as Canadians that come from such varied experiences and such varied cultures. And I think there are strong voices that come out.

I'm fascinated with psychology, and with why a person walks the way they walk or why they walk into a room the way they do or why we are the way we are, and it's not exclusive to the psychology of a character.

I think in the inception and creation of the characters, improv was the most important part for me, because I wanted to feel at home in those characters. I wanted to feel like I could commit to them. And so much of improv is saying yes and committing, so I think that's where the improv came in. Even if I'm saying yes to the X across the room from me, or the tennis ball on a stick, I have to stay alive.

Sometimes I'll go into a shop and speak in a different accent to see if I can pull it off. But then somebody will be like, 'Where did you say you were from again?' And then I panic, and my accent dissolves, and I pretend like I wasn't doing it in the first place.