Sometimes I'll go into a shop and speak in a different accent to see if I can pull it off. But then somebody will be like, 'Where did you say you were from again?' And then I panic, and my accent dissolves, and I pretend like I wasn't doing it in the first place.

We do long-form-style improv. Our focus was characters and telling a long arc story over about an hour and a half. It was closer to a one-act play than one-off sketches.

I'm super sad to have it finish because it's been such a dream job, but it's nice to know there's a conclusion.

When I was a kid, it was the attention I got from it, the immediate response from the audience, the thrill of being onstage. That's carried over into my adult life, I can't pretend I don't like the attention or whatever, but for me now, I've witnessed incredible performances that have changed the way I see the art form.

I was in a Nativity play as a kid. Back then, I played the donkey.

I'm an actor and I like having attention. There's a reason I like being on stage and in front of the camera, and it's that interaction.

I find comedy to be really scary, because it can go so wrong so easily, and the margin for error is so huge - and I guess that's what makes it funny, that tension.