Auditions are not a natural environment, and you feel judged, even though everyone is just excited to find the right person.

My mom's a translator, my dad's a woodworker; that's the world I grew up in, that's the world I'm most comfortable in. The whole idea of Hollywood or any of that other stuff that unfortunately goes along with film, that wasn't part of my upbringing, thankfully.

I'll never, never understand why people think it's their business to comment on other people's bodies. I go to a spa in LA sometimes, a Korean day spa, and all the women there are nude. And I've never felt so in love with the human form as when I'm walking around and seeing all those bodies, thinking, Oh my god, we're all just built so differently. And every single body is beautiful. I will never understand that shame, and the reinforcement of that shame. It's crazy.

I think there's something really freeing about improv, that it's a collective, creative, in-the-moment piece. That's really exciting and really frustrating, because it's there and gone. There's an amazing interaction with the audience that happens because they are very much another scene partner. How they respond determines the kinds of stories we tell.

I've worked on shows where the lead actor doesn't know their lines, doesn't care, and it affects everybody - the crew, the director, the other actors. It's definitely a responsibility.

You learn from the actors that you're working with. I've taken a lot from all of them.

Dance has always been a really important thing for me, so being able to physically express the characters through music and dance is like another layer to things.