I'm so inspired and stimulated by the work that it doesn't ever feel like work.

I think in the inception and creation of the characters, improv was the most important part for me, because I wanted to feel at home in those characters. I wanted to feel like I could commit to them. And so much of improv is saying yes and committing, so I think that's where the improv came in. Even if I'm saying yes to the X across the room from me, or the tennis ball on a stick, I have to stay alive.

I'm running on adrenalin when we're shooting. It's non-stop. As soon as I have time to sit down, then I fall asleep.

Those darker sides, the things that we don't want to admit about ourselves - that's what excites me.

As a kid, I wanted to be a boy because I equated that with strength. There's a problem with that. It's only growing into my own womanhood that I realize how warped that is that I was attributing strength to male qualities.

I grew up in Canada, man - we all had rinks in our backyards because we'd ice down the grass with a hose and build a skating rink.

Sometimes I'll go into a shop and speak in a different accent to see if I can pull it off. But then somebody will be like, 'Where did you say you were from again?' And then I panic, and my accent dissolves, and I pretend like I wasn't doing it in the first place.