There's something really unique about Orphan Black is that it has a lot of female leads, so it's about a lot of women's stories, but it's not women’s stories in terms of trying to find a guy or keep a guy; it's about entirely other things.

As a kid, I wanted to be a boy because I equated that with strength. There's a problem with that. It's only growing into my own womanhood that I realize how warped that is that I was attributing strength to male qualities.

Sexuality is so much more complex than our boobs. My sexuality isn't me as an object to be looked at. It's the way I say "hello" to somebody, the way I sit with somebody. A body is just a body. But we're really afraid of bodies. They hold a lot of power - I think that's why people can try to shame them so easily, because they are so powerful.

For me, comedy literally is way more terrifying than doing drama, so it's always about stretching what I think I can do and putting myself out there in different context.

Film has always been where my heart is.

I see a lot of things I'm so excited and hopeful about film and TV in Canada. There's just a huge movement, I think, in seeking an identity as Canadians, and really forging it and really embracing all the parts of us as Canadians that come from such varied experiences and such varied cultures. And I think there are strong voices that come out.

I was in a Nativity play as a kid. Back then, I played the donkey.