Going back is a nice way to give definition to each of the characters because they are so vastly different. I would never want them to get blended together.

I'm excited to work on something where I have a bit more time with it, to explore one personality. That's definitely exciting to me.

The whole press thing and who you are in the media, or what you have to project yourself to be, it feels very much like another person. People say to me, "Oh, your life must be changing," and I'm like, "Uh, I guess?" For me, it's such a gradual change, and I don't see it from the outside like everybody else does. It's weird, I see my face on a bus or online or somebody has my picture as their picture on Twitter and it's all a bit weird and I feel very disconnected from it and very much, "I guess that's me." It's very surreal.

Going back is a nice way to give definition to each of the characters because they are so vastly different. I would never want them to get blended together.

When I was a kid, it was the attention I got from it, the immediate response from the audience, the thrill of being onstage. That's carried over into my adult life, I can't pretend I don't like the attention or whatever, but for me now, I've witnessed incredible performances that have changed the way I see the art form.

I try to get roles that challenge me in what I can do and who I think I can portray. For me, it's about creating characters with really fascinating stories, because that's what I like to watch on TV.

It's wild to be seen differently and have more visibility, but it's rewarding.