Going to set, every day, and working with the incredible actors I get to work with is fulfilling. I've been doing this since I was nine years old, so it's always been something that I've been passionate about. It's always fed me.

Sometimes I'll go into a shop and speak in a different accent to see if I can pull it off. But then somebody will be like, 'Where did you say you were from again?' And then I panic, and my accent dissolves, and I pretend like I wasn't doing it in the first place.

It's wild to be seen differently and have more visibility, but it's rewarding.

Sex isn't hard, but intimacy is terrifying.

My brothers and I always did improv stuff in our basement with our friends; we're super nerds, and that was our way of spending a Friday night.

I think in the inception and creation of the characters, improv was the most important part for me, because I wanted to feel at home in those characters. I wanted to feel like I could commit to them. And so much of improv is saying yes and committing, so I think that's where the improv came in. Even if I'm saying yes to the X across the room from me, or the tennis ball on a stick, I have to stay alive.

I'm an actor, so I'm interested in the pursuit of storytelling and character and challenging myself and expanding my craft. That's not something that ever ends, because as you grow as a person, so does your capacity to play different characters. New things come up, new things you want to explore and new stories you want tell about life and your knowledge of things. I don't think there's ever going to be that satisfaction of "and now, comfort."