I think there's an interesting line drawn towards extreme environments, and the way I define extreme is through a sense of otherness. Or foreignness.

The way that I Am is designed, it becomes a kind of archipelago, which the Bahamas are.

Sometimes I'm inspired by the material and sometimes there's an idea that speaks to a material.

I was born in a small clapboard house on an island, but I also have certain privileges that I didn't have when I was on the island. So that dichotomy again is actually really crucial.

I don't really feel pressure. I'm so distracted by what we're doing; I'm doing this four-acre project, it's just absorbing all my attention. Before you know it we're onto the next project, and so on and so forth.

I think when you're younger and making things, it's something that you have to fight through, to finish things. I feel like I'm past that stage, and I get the appreciation for being in that moment, and soaking it in.

I think being an artist and taking on those challenges is just how it is for me. Because I was always a foreigner, I was always the outsider.