Then people expect women to be that easy to understand, and women are mad at themselves for not being that simple, when, in actuality, women are complicated, women are multifaceted - not because women are crazy, but because people are crazy, and women happen to be people.

"Girly" can be limiting if you're told it's the only option. I don't think the solution is to get rid of the girly stuff or decide it's oppressive and get mad at a singer or book for not ACCURATELY REPRESENTING ALL WOMEN. There just needs to be more options for girls who don't identify with the girly aesthetic, and can broaden the idea of what being a girl means. Similarly, there needs to be more of that stuff that can be aesthetically girly, but feminist in the actual message.

I see so few scripts just because, for whatever reason, there just aren't that many good scripts with a young, teenaged girl. So it's always been sporadic. People don't know what to do when writing a story with teens that takes place now - they think you have to make a bunch of references to Facebook.

I will try to hold on to the intense feeling. I will both be glad that that’s no longer happening and kind of miss it. When you’re 14, you’re basically on drugs all the time - the hormones in your body are so crazy. But I really loved and appreciated the intensity of that. And you’re experiencing everything for the first time, so everything feels like an epiphany. And, like, I really liked the experience of having a crush, because I was like, this is my thing and it doesn’t have to do with you and you’re just some dummy boy for me to project on.

I try to make everything creative because it's stimulating. There is this great Stanley Kubrick quote somewhere about how life is sort of bad and how creating is important because it lets a little light in.

Feminism was not a rulebook but a discussion, a conversation, a process...

My only job has been to say that you have to, try different things and let yourself become a different person, have experiences.