The most disgusting, appalling horror of our world that we live in, to me, is sex trafficking and the enslavement of men and women, boys and girls, in the sex industry. That is the most horrific, horrific thing that's happening and it's happening in all of our towns here in Los Angeles, in New York, in London, in Paris, all over the world, and I think that's really what has to be addressed.

I really believe you can predict when someone has a great attitude, a real well of talent.

It isn't glamorous until after the film is finished, and you are at the premiere and getting your picture on the cover of magazines.

I love actors and I understand what has to happen within a scene. Any scene is an acting scene and actors never act alone, so there has to be an interchange. If it's a dialog scene, if it's a love scene, it doesn't matter because you need to establish a situation.

The score is always the wonderful icing. The score tells you the emotional content of the film. What the characters don't say, the music can say.

I'm not in front of the camera, they are. I encourage them; I build up as much of their confidence and ego as possible. They've got to take control; I can't act it out.

If people are worried about the size of their trailers, I kind of say their priorities are off.