Different phases of your life have different levels of deep, traumatizing heartbreak, and in this period of my life, my heart was not irreparably broken. So it’s not as boy-centric of an album, because my life hasn’t been boy-centric.

It's a love story, baby, just say, Yes.

I would just be constantly writing all these zingers - like, 'Burn. That would really get her.' And I know people are going to obsess over who it's about, because they think they have all my relationships mapped out. But there's a reason there are not any overt call-outs in that song. My intent was not to create some gossip-fest. I wanted people to apply it to a situation where they felt betrayed in their own lives.

There's so much about Dolly Parton that every female artist should look to, whether it's reading her quotes or reading her interviews or going to one of her live shows. She's been such an amazing example to every female songwriter out there.

It was an actual Christmas tree farm. We had, like, 15 acres. It was really fun as a kid. I also spent my summers at the Jersey Shore, on the bay in Stone Harbor. I walked everywhere barefoot. It was just the most amazing, magical way to grow up.

I don't think it should be a big deal who you love.

The music industry itself is changing so quickly, that everything new, like Spotify, all feels to me a bit like a grand experiment. And I’m not willing to contribute my life’s work to an experiment that I don’t feel fairly compensates the writers, producers, artists, and creators of this music. And I just don’t agree with perpetuating the perception that music has no value and should be free.