TV is a different animal. It's not a club set. As you said, you do short sets on TV - about five minutes. So you have to get that rhythm down and also be aware of the camera so you're connecting with the viewers at home as well as the studio audience. It's a different muscle to develop.

A crowd is the only way to know if something works. Telling a friend or two doesn't matter. A crowd is what tells you what works or doesn't, so I'd rather go in front of them cold and see.

Sometimes it's fun to explore ideas that might make people uncomfortable. If you let it, there's a lot of self-censoring that can go on in the name of remaining likeable, but I don't find that an artistically interesting path to take.

Opening for Louis C.K. during his "Hilarious" tour was a great experience for me. He is the generation just ahead of me, because he started so young. So it's like he's sort of a senior and I'm a junior, in terms of the business. He's done so much - from writing on Conan and Chris Rock to writing and directing movies, having his own HBO show, "Lucky Louie," and now having "Louie" on FX.

Louis CK went from a writer/comedian to winning Emmys for his own show because he works his ass off.

I don't do the mirror thing; maybe once or twice when I first started out.

Comedians can articulate some important and profound ideas that address a lot of the hypocrisy we're inundated with (in the media).