There are more people that are WORTH playing for and making records for than the fickle and casual - they just don't blog about what they hate as much. I feel like every show that we play live reminds me of why I play music. When you're away from that personal connection, you can get wound up in all the hoo-ha about this and that, but when you get out there and connect with people, you can't help but be moved, and that keeps you going at least until the next show!

You play the one song that people want to hear the most every night, and for every audience that's a special thing. And usually that translates back to you.

I think I'd like to see CDs disappear. Too much plastic crap lying around. If I want some music these days, I'm gonna either get as MP3s or on vinyl.

I've dreamed about performing songs, songs that don't even exist, as a complete song.

The obsessive documentation is itself adjacent to hyper-consumption in our society. The desire to just have everything all the time and adjacent to that is - it might be a little hokey but - a certain loss of identity that then only gets sort of found or ascribed to these moments that are documented.

I used to think success would be sustainability. Not being behind the eight ball.

When I started playing solo 10 years ago, I had some ham-fisted idea about trying to subvert the "singer-songwriter" tag/genre, and I tried to obscure my identity into the identity of a collective or band or whatever. That's part of the reason that I used to play with backing tapes and why so much of my early stuff was so awash in tape hiss and echo noise.