I actually dream a lot of songs, and I try to be good about voice-memoing ideas.

I love touring. But it's super nice to have a new reason to play shows that isn't based around that perennial cycle of album/tour/promotion.

When I started playing solo 10 years ago, I had some ham-fisted idea about trying to subvert the "singer-songwriter" tag/genre, and I tried to obscure my identity into the identity of a collective or band or whatever. That's part of the reason that I used to play with backing tapes and why so much of my early stuff was so awash in tape hiss and echo noise.

If so much of your experience is devoted to the thought of documentation, you're already sort of spinning out this narrative from this moment that you are attempting to control instead of just experiencing it.

Though I know for a fact that some of my fans would be happy for me to do anything that's going to help me be successful, namely to go to a major label, and I thank them for that, there'd be a lot of people who I think wouldn't be so happy with that change, and when I DO get dropped, then where would I be?

I think it's become such a part of younger people's daily life to have the instant access to each other that it sometimes gets a little presumptuous. People feel like it's OK, for example, to email you with some weird personal criticism they have.

The obsessive documentation is itself adjacent to hyper-consumption in our society. The desire to just have everything all the time and adjacent to that is - it might be a little hokey but - a certain loss of identity that then only gets sort of found or ascribed to these moments that are documented.