When I put together a graphic novel, I don't think about literary prose. I think about storytelling.

Bernie Sanders is an impressive guy. His authenticity and his credibility stem precisely from the fact that he has been marginalized from the mainstream political process for decades. He's been in the US Senate, yeah, he has had a life in politics for thirty years, but he's never really been able to get anything done. He's the only socialist in the US Congress. He's not a Democrat or a Republican, but he's always been saying the same things about income inequality, in particular.

Silk Road to Ruin has all the analysis and it's structured very well. I rely on my notes more and I use direct quotes. But there's nothing like writing about it right away.

I would like to fire every cop in America and start from scratch. We don't need as many of them, and the whole model of policing is completely off the rails. For the most part, the police are engaged in very little protection of the public. That's probably 5 percent of what they do. The rest of it is writing tickets.

Close friends love you for who you are; not what they want you to be.

The word 'hero' has been bandied about a lot to refer to anyone killed in Afghanistan or Iraq. But anyone who voluntarily goes to Afghanistan or Iraq [as a soldier] is fighting for an evil cause under an evil commander in chief.

That's what comics journalism does better than anything else: you can get a feeling of what it was like. Like Scott McCloud says, especially with a simple drawing style, you can project yourself into the image, and imagine yourself having those experiences.