There's this bubblegum pop thing which is prevalent now that we haven't had before. People's ears are slightly de-tuned; they've been exposed to this weird synthetic, implausibly upbeat, Mickey Mouse stuff which I think is just weird; it's not really a human sound.

I went to a boarding school when I was 13, and it was a very arty school, so there was an opportunity for a lot more. I joined a band and so on. We would do concerts at school, and I would play cover tunes and thought, 'This is really great.'

I came from a folk-family background. Although we weren't really the all-singing, all-dancing-around-the-piano folkies or anything like that, there is that idea of singing and playing with your parents and your family and your cousins.

I used to listen to my dad a lot as a way of trying to be close to him, as well, because my parents were divorced and I didnt spend that much time with him. I used to put head phones on and listen to my dad talk and sing and kind of had a weird bonding in a way.

I remember writing 'The One I Can't Have' at the kitchen table. I was looking at a picture of Truman Capote with Marilyn Monroe and that's where I started. It doesn't make any sense because he was gay, but it was just the idea of the short guy and the beautiful blonde out of his league. That's where I started, but very quickly it became about me.

I vacillate between feeling grateful for what I have in such hard times for the music business and being frustrated that I haven't moved up more quickly. It can be dispiriting to play the same small clubs tour after tour. You think: "When am I going to get to theatres, maybe even arenas?" But maybe that's not on the cards for me, maybe I don't have a wide enough appeal. Most days, I am happy to have the best job in the world.

I'm a hybrid-genre person, which a lot of people find confusing. I grew up listening to American country music and rock n' roll made between 1955 and 1959. The Everly Brothers and Chuck Berry were my first musical loves and are still what I am most moved by. Roy Orbison came a little bit later.