I remember writing 'The One I Can't Have' at the kitchen table. I was looking at a picture of Truman Capote with Marilyn Monroe and that's where I started. It doesn't make any sense because he was gay, but it was just the idea of the short guy and the beautiful blonde out of his league. That's where I started, but very quickly it became about me.

Everyone's different, but it was fun for me to work with Garth Hudson. He's from 'The Band.' They are a massive influence, that was a big thrill. He's completely out of his mind.

For a long time I was trying to be poppier and younger. I didn't want to be on public radio or do any of that stuff for older people. Then I realized that that is exactly what I listen to.

I come from a place where there's a lot of musical families.

The state of radio is not great. It's like playing the lottery. The chances of hitting are mind boggling slim.

I used to listen to my dad a lot as a way of trying to be close to him, as well, because my parents were divorced and I didnt spend that much time with him. I used to put head phones on and listen to my dad talk and sing and kind of had a weird bonding in a way.

I was obsessed with country music when I was a kid, and it's definitely had a huge influence on the way I write songs. I was always attracted to songs that had a brilliant pun or a clever turn of phrase, but came from a dark, bitter place. As a writer, I've always gravitated towards that feeling.