I vacillate between feeling grateful for what I have in such hard times for the music business and being frustrated that I haven't moved up more quickly. It can be dispiriting to play the same small clubs tour after tour. You think: "When am I going to get to theatres, maybe even arenas?" But maybe that's not on the cards for me, maybe I don't have a wide enough appeal. Most days, I am happy to have the best job in the world.

My career could've been anything, I just wasn't that good at other things. I'd say it was fairly easy starting out as I did in LA, meeting some great friends and musicians and landing a record deal. That's where the hard work began though.

Any kind of creativity is not settling down into a happy little space. I don't try to be mellow or anything. I think I have quite... my voice is what it is, no matter what I'm singing, it's always going to sound like me. There's not too far I could go. I sound like myself. I hope that I haven't put any boundaries on anything.

Country music was the music I was brought up on. It's the music that's closest to my heart and the music that speaks to me the most, and it's always been a big influence on my own songwriting.

I think I'm too cynical for L.A. My sense of humor doesn't go down well here, which probably affects my love life. I need to have a laugh track following me around so people know I'm trying to be funny.

I remember writing 'The One I Can't Have' at the kitchen table. I was looking at a picture of Truman Capote with Marilyn Monroe and that's where I started. It doesn't make any sense because he was gay, but it was just the idea of the short guy and the beautiful blonde out of his league. That's where I started, but very quickly it became about me.

For a long time I was trying to be poppier and younger. I didn't want to be on public radio or do any of that stuff for older people. Then I realized that that is exactly what I listen to.