Internet radio stations like KCRW do take you everywhere, yet thats just one of a hundred small things you have to do to succeed. It used to be, if you just got on the cover of Rolling Stone and a spotlight on The Tonight Show, that was enough.

There's this bubblegum pop thing which is prevalent now that we haven't had before. People's ears are slightly de-tuned; they've been exposed to this weird synthetic, implausibly upbeat, Mickey Mouse stuff which I think is just weird; it's not really a human sound.

I love the sad songs with their maudlin, self-deprecating, almost funny lyrics. As an Englishman, they make a lot of sense.

My career could've been anything, I just wasn't that good at other things. I'd say it was fairly easy starting out as I did in LA, meeting some great friends and musicians and landing a record deal. That's where the hard work began though.

I used to listen to my dad a lot as a way of trying to be close to him, as well, because my parents were divorced and I didnt spend that much time with him. I used to put head phones on and listen to my dad talk and sing and kind of had a weird bonding in a way.

Everyone's different, but it was fun for me to work with Garth Hudson. He's from 'The Band.' They are a massive influence, that was a big thrill. He's completely out of his mind.

I'm a hybrid-genre person, which a lot of people find confusing. I grew up listening to American country music and rock n' roll made between 1955 and 1959. The Everly Brothers and Chuck Berry were my first musical loves and are still what I am most moved by. Roy Orbison came a little bit later.