Even for the people in the business who are real music lovers it's really about putting things in the right boxes, and my style doesn't fit into a box.

I'm never worried about being upstaged. I love to have the best, most individual people come in and see if we hit on something.

There's this bubblegum pop thing which is prevalent now that we haven't had before. People's ears are slightly de-tuned; they've been exposed to this weird synthetic, implausibly upbeat, Mickey Mouse stuff which I think is just weird; it's not really a human sound.

Everyone's different, but it was fun for me to work with Garth Hudson. He's from 'The Band.' They are a massive influence, that was a big thrill. He's completely out of his mind.

Even for the people in the business who are real music lovers it's really about putting things in the right boxes, and my style doesn't fit into a box.

I vacillate between feeling grateful for what I have in such hard times for the music business and being frustrated that I haven't moved up more quickly. It can be dispiriting to play the same small clubs tour after tour. You think: "When am I going to get to theatres, maybe even arenas?" But maybe that's not on the cards for me, maybe I don't have a wide enough appeal. Most days, I am happy to have the best job in the world.

It's what is strange about doing a job that is also the thing you love, the thing you feel passionate about. People get to the point where they're burned out and disillusioned by the whole thing because when things aren't going well at work it also means they aren't going well in your heart, in your soul. They're all wrapped up together.