Q.Do you have any positive message, in your opinion? A.Indeed I do think that I do. Q.Such as what? A.The crying, almost screaming, need of a great worldwide human effort to know ourselves and each other a great deal better, well enough to concede that no man has a monopoly on right or virtue any more than any man has a corner on duplicity and evil and so forth. If people, and races and nations, would start with that self-manifest truth, then I think that the world could sidestep the sort of corruption which I have involuntarily chosen as the basic, allegorical theme of my plays as a whole.

When I was fourteen, my father decided to initiate me into the ways of manhood, and took me to the local whorehouse. The woman spread her legs, and made me look between them. All I could see was something that looked like a dyin' orchid; consequently, I have never been comfortable around women or orchids.

Mendacity is a system that we live in," declares Brick. "Liquor is one way out an'death's the other.

To be free is to have achieved your life.

People are not so dreadful when you know them. That's what you have to remember! And everybody has problems, not just you, but practically everybody has got some problems. You think of yourself as having the only problems, as being the only one who is disappointed. But just look around you and you will see lots of people as disappointed as you are.

Something in me will save me from utter ruin no matter what comes.

Oh, I haven't reached any peak. I hit the bottom in the '60s. When a certain actress undertook the leading role in a recent play of mine, she referred to me as "that old derelict." Not to my face, but behind my back.