Psychedelic experiences are beyond the reach of cultural manipulation, and discovering this and exploring it is somehow the frontier of maturity. Culture is a form of enforced infantilism. It's the last nursery, and most people never leave it.

We are somehow the children of the planet, we are somehow its finest hour; we bind time, we bind the past, we anticipate the future - we are going hyper-spatial; we are claiming a whole new dimension for biology that it never claimed before. We are actually becoming a fourth-dimensional kind of creature. Our future is somehow with us, as we seem to be able to move through metamorphosis into our own imaginations - a super civilization spread throughout space and time. Our future is a mystery, our destiny is to live in the imagination.

Nature and the imagination seem to be the precursors to involvement in the psychedelic experience.

And the psychedelics, I believe, are the key to moving from wearing culture like cloths to recognizing that culture is this intensifying reflection of an aspect of the self and integrating it into the self.

The artist’s task is to save the soul of mankind; and anything less is a dithering while Rome burns. Because of the artists, who are self-selected, for being able to journey into the Other, if the artists cannot find the way, then the way cannot be found.

It is curious that what these psychedelics do, on a scale of a community, is they release new ideas. . . . And that this is how culture moves forward. That culture is a phenomenon dependent on the generation of ideas, plans, notions, connections. So this is precisely what these compounds are doing.

The reason I am so passionately committed to the psychedelic thing is because I see it as radical, and if this is not the moment for radical solutions, what is?