It’s pretty simple, the ethical life. It’s just demanding.

And yet my, not only my faith, but my experience has led me to believe that the world is not a construction of space and time and matter and energy. That that mapping is insufficient. That the world is instead some kind of a linguistic construct. It is more in the nature of a sentence, or a novel, or a work of art than it is in the nature of these machine models of interlocking law that we inherit out of a thousand years of rational reductionism.

It's the impossible become possible and yet remaining impossible.

And the psychedelics, I believe, are the key to moving from wearing culture like cloths to recognizing that culture is this intensifying reflection of an aspect of the self and integrating it into the self.

So the idea is to triangulate a sufficiently large number of data points in your set of experience that you can make a model of the world that is not imprisoning. That's why, second to psychedelics, I think travel is the most boundary-dissolving, educational enterprise that you can get mixed up in.

Well, you could almost say, I suppose, that the scientist seeks what is similar between any two days, or bluebirds, or glaciers. And the poet seeks what is different. The artist seeks to celebrate the unique.

Certainly neo-Platonism, Plotinus and Porphyry and that school are psychedelic philosophers. Their idea of an ascending hierarchy of more and more rarefied states is a sophisticated presentation of the shamanic cosmology, which is the cosmology that one experientially discovers when they involve themselves with psychedelics.