I sort of see [cannabis] as the pilot light of Gian consciousness.

Psilocybin, tryptamine, is in my opinion the means to eliminating the future by becoming cognizant of the architecture of eternity, which is modulating time and causing history, essentially.

What people notice about [when they are on] LSD is either what's right or wrong with themselves or how freaky the world is.

Culture is more and more consciously becoming a project carried out in the domain of language by, for instance, propaganda both governmental and commercial.

To contact the cosmic giggle, to have the flow of casuistry begin to give off synchronistic ripples, whitecaps in the billows of the coincidental ether, if you will. To achieve that, a precondition is a kind of unconsciousness, a kind of drifting, a certain taking-your-eye-off-the-ball, a certain assumptions that things are simpler than they are, almost always precedes what Mircea Eliade called ‘the rupture of plane’ that indicates that there is an archetypal world, an archetypal power behind profane appearances.

There is nobody who is so enlightened that they don't need to work on themselves.

Shamanism, on the other hand, is this world wide, since Paleolithic-times, tradition which says that you must make your own experience the center piece of any model of the world that you build.