And remember how he wrote the first Rocky in a few days, and wouldn't sell the script even though he was starving, because they wanted to put somebody else in the lead role. To see what he's accomplished, dog, that's what it's all about.

SportsCenter? You watch it and I didn't miss one thing. Chris Berman, they give you the whole rundown. I'm like wow. And I go in there and I walk in the next day, I know everything. They'll be like, "Oh did you see that?" I'd be like "Yeah I did," but it didn't take five hours.

I would have been a lot more nervous if I would had known that Matthew McConaughey was [on 30th Annual Television Critics Association Awards] and Julia Louis-Dreyfus was there and all that, and I was like, "Wait a minute and Bryan Cranston's here..." I think I would have got more nervous. But I think thinking it was just like, "Oh yeah critics, we're good." It was great.

The difference between me and Tiny Lister is that he has never been the greatest actor, he hasn't been able to do a lot of big talking parts in movies, or even... he kind of has one emotion. He never looks at his career as an obstacle, he only looks at the positives. He's done... he knows, he has an opportunity. I mean, you see in a script, "Tiny Lister" type, you know you've made your mark. I mean on Friday After Next, that's what everyone expected me to be the new Tiny because it was that sort of part to fill that role, but if you look at the movie, there was a lot more there.

All of a sudden I got a call the night of the first time we were filming and they're like, "Terry, we made a mistake. We need you to be you. You're not a joke with these guys and you're not mousy, you're very aggressive. Now it just so happens that you're going through these things, but we need you to be more physical in your role."

First of all you got ESPN, Fox Sports, all that, you don't miss one thing. People don't understand that. Like you could watch the whole NFL, I've got the RedZone coverage, I got my DirecTV stuff. You can watch everything in the NFL in a whole hour and you missed nothing. Anything that was worth watching is going to be played over and over again. It's like the MTV Awards.

I have the greatest appreciation for [producers] Matt Alvarez and Ice Cube. They put me in Friday after Next, and now this, which I hope is just the start of a long, wonderful relationship. I love the urban comedies, because they keep you famous, keep you having fun, and keep you in love with the business. Those are my roots. I'll always love doing those.