I don't think my father noticed that he had daughters. I think, you know, part of the damage of the childhood was, I simply don't think they were acknowledged as human beings at all. Or - you know, one of the reasons I became a cook later on in my life was, I was not allowed to cook an egg.

When I hear a politician speak biographically, I never know what's part of the campaign biography narrative that's been carefully crafted.

I think there's always an expectation when you're a first generation, especially a first-generation Nigerian, of sort of being a doctor or a lawyer or an engineer. And so, you know, sort of my initial pursuits into the arts and that I was going to pursue film as a career didn't confuse them, but it was definitely something that they were scared about.

The line changed my life 'cause I thought of some poor woman I hadn't even met walking around the United States or the world not knowing she's going to be beaten up by me and these kids, unborn, not knowing they were going to be born into the family of a child-beater just because I was. So it really did have a great effect on me.

I'm really interested in, who's booked the guests, who's decided to have Lena Dunham and to have the mothers of sons who were shot - sons and daughters who were shot by the police and, you know, the other performers, Paul Simon and Alicia Keys.

Anyone who agrees to be interviewed must decide where to draw the line between what is public and what is private. But the line can shift, depending on who is asking the questions. What puts someone on guard isn't necessarily the fear of being 'found out.' It sometimes is just the fear of being misunderstood.

Many artists use their own lives as a kind of case study to examine what it's like to be human.