That era in the late '80s through the '90s was really when the music was so new, fresh, energetic, but still creative. It hadn't quite gotten corporatized yet.

I don't think my father noticed that he had daughters. I think, you know, part of the damage of the childhood was, I simply don't think they were acknowledged as human beings at all. Or - you know, one of the reasons I became a cook later on in my life was, I was not allowed to cook an egg.

You know, how am I leading my own life? What am I denying? Since I brought such great powers of denial into my adult life, what am I not doing as a husband? What am I not doing as a father? The whole thing started unraveling with me that once I kept it up close to the chest, I could hold it all in, but once I started letting it out, it all started coming out.

Rapists who might've been convicted were free to assault other women.

The line changed my life 'cause I thought of some poor woman I hadn't even met walking around the United States or the world not knowing she's going to be beaten up by me and these kids, unborn, not knowing they were going to be born into the family of a child-beater just because I was. So it really did have a great effect on me.

So the Great Santini was how he liked being referred to by his children. He would line up his seven children, and there was this ritual we'd go through. And he would say, who's the greatest of them all? And we - the seven - would say, you are, oh, Great Santini. And he would say, who knows all, hears all and sees all? You do, oh, Great Santini. So this was the ridiculous way I was raised.

When we spoke, Gene Wilder had just written a memoir called "Kiss Me Like A Stranger." The title was suggested by his late wife Gilda Radner three weeks before she died in 1989.