It is a rare man who can prevail in the face of comfort. Freedom is fragile and elusive, for rarely does the appreciation of it exceed the pleasure of being able to tell others what to do. There is but one tick on the accuracy scale between 'optimism' and 'denial.'

Most aspiring screenwriters simply don't spend enough time choosing their concept. It's by far the most common mistake I see in spec scripts. The writer has lost the race right from the gate. Months - sometimes years - are lost trying to elevate a film idea that by its nature probably had no hope of ever becoming a movie.

Talent is truth on display.

A fool harvests his opinions in the spring.

Self-esteem is the prize awarded by you to you for playing by your own rules - in which case, you'd think it would be easier to come by.

I'm tempted to say, 'Writing treatments is like designing a film by hiring six million monkeys to tear out pages of an encyclopedia, then you put the pages through a paper-shredder, randomly grab whatever intact lines are left, sing them in Italian to a Spanish deaf-mute, and then make story decisions with the guy via conference call.' But no... compared to writing treatments, that makes sense, too.

A child should have every advantage - including those taught by disadvantage.