You can't do the end of the world in a conventionally dramatic way or Boy Meets Girl way.
In that sense, film is superior, but the difficulty is your lack of control as a writer.
The Loved One has been the most underrated film I've worked on.
It was a good experience working with Roger Vadim and Jane Fonda.
After Strangelove I also started work on an adaptation of The Collector.
I met Claxton on the set of The Cincinnati Kid.