After Strangelove I also started work on an adaptation of The Collector.

It was a good experience working with Roger Vadim and Jane Fonda.

I met The Beatles and Stones at the same time, because Michael Cooper was doing several of their album covers.

In that sense, film is superior, but the difficulty is your lack of control as a writer.

When I finally made it to the set, I spent a lot of time doing damage control on The Magic Christian.

Sometimes we would be staked out in the middle of the river, several barges tied together. So we could party.

It's often the case with directors that they don't like to share credit, which is the case of Stanley. He would prefer just A Film By Stanley Kubrick including music and everything.