I feel I must acknowledge that gay people are, generally speaking, funnier, more self-sufficient, and better in crises and I should step aside and let them handle the business whenever it comes up.

Sometimes I say things in interviews and then I see them in print and I think, "What an asshole."

If you're a woman musician, that is your qualifier. I've had people come up to me and say, "You're good for a girl." My only issue is, when that stereotype and stigma already exists, sometimes it's perpetuated by people who may not really play guitar. You somehow need to transcend that division of gender.

I've always had this vision that the touring lifestyle is so unsustainable. But I have faith that I can do it, and I don't become a victim of my job or my work. And I can remove my self-worth from what I make and how many people show up.

I think meditating on tour is integral. It's a priority, because everything is so chaotic, and the calmer you stay, the calmer everybody is. Sometimes I do it hotel lobbies, or in corners, and I try to find moments. It's not ideal when people come out and almost step on you.

I've always felt for little children because I love the way they fashion sentences - their vocabulary is limited. They have to navigate around to get to the meaning. It's a shame we bypass that when we gain more words. In a way, it's less honest and less direct. It's something that I appreciate about kids, and I will steal from them at will.

I like to say that I was raised by sitcoms, and that my personality is comprised of different characters. Darlene from Roseanne, Denise from The Cosby Show, Uncle Jesse from Full House, a little Jessie from Saved By The Bell - but not the episode where she was addicted to sleeping pills.