I think I'm more effective as an activist if I stay in music, to be honest. Music, the way it reaches people and transcends divisions, is a really effective and powerful forum.

I think that the activism I've become involved with informs and enhances my life in a lot of ways, and definitely career-wise. This record wouldn't exist [without that activism], for one.

Because I grew up trapped in the suburbs 8 miles outside of D.C. and I've never seen what people who live in D.C. look like.

I feel I must acknowledge that gay people are, generally speaking, funnier, more self-sufficient, and better in crises and I should step aside and let them handle the business whenever it comes up.

I've always felt for little children because I love the way they fashion sentences - their vocabulary is limited. They have to navigate around to get to the meaning. It's a shame we bypass that when we gain more words. In a way, it's less honest and less direct. It's something that I appreciate about kids, and I will steal from them at will.

When I am onstage, singing all these songs... what's going through my mind is nothing. That's what's so amazing about meditation - achieving that state, getting to a place where you're clear and present. I'm not thinking about anything except connecting with an audience.

I think meditating on tour is integral. It's a priority, because everything is so chaotic, and the calmer you stay, the calmer everybody is. Sometimes I do it hotel lobbies, or in corners, and I try to find moments. It's not ideal when people come out and almost step on you.