I never really felt aware of my gender, being a woman, and whether that was in my favor or not. Because there's nothing I can do about that. I'm also really grateful to my parents for having brought me up to feel that equality is just something you take for granted. I hope that our generation will really change that. I think there's a long way to go.

I never really felt aware of my gender, being a woman, and whether that was in my favor or not. Because there's nothing I can do about that. I'm also really grateful to my parents for having brought me up to feel that equality is just something you take for granted. I hope that our generation will really change that. I think there's a long way to go.

I love working with people I've worked with before and that can be true of when people have worked together. But if two people have a natural chemistry and it just works, to be there for the first time, particularly on a story where it's about these two people meeting for the first time, that goes a long way.

When you're casting, you have to do quite a bit of research. But I always think you have to do it with a pinch of salt with actors, because it's so unfair to pigeonhole them and so often they are. I try to be as open as possible and if people are really interested and really want to have a go, then let's get them in and see them.

People grow and change and develop through their experiences, so ultimately you have to go with what's in the room - the feeling you get from them and what the camera picks up.

I ran the Gate in Notting Hill for a while, which is where Stephen Daldry started out. Those theaters are magical, because there's no money, so in a way there're no boundaries and it allows you to be inventive and brave and take risks and all those important things while you're starting out.

There's nothing like a great piece of theater - a great performance in a great piece of theater.