I've got Tom Hiddleston playing Henry V. I don't want to have a bowl haircut. I want him looking good so, you know, I want him in delicious kind of tight fitting leather jackets. [] I don't want him in tights, so he got nice leather trousers in mine.

I much prefer to work with dead writers, and ones who were writing four hundred years ago.

There's nothing like a great piece of theater - a great performance in a great piece of theater.

I love working with people I've worked with before and that can be true of when people have worked together. But if two people have a natural chemistry and it just works, to be there for the first time, particularly on a story where it's about these two people meeting for the first time, that goes a long way.

I ran the Gate in Notting Hill for a while, which is where Stephen Daldry started out. Those theaters are magical, because there's no money, so in a way there're no boundaries and it allows you to be inventive and brave and take risks and all those important things while you're starting out.

The camera kind of finds things that the naked eye can't even see. By moving in a certain way, you're already telling part of the story.

If you cast your supporting cast well, it should be seamless. You shouldn't even notice who's a big part and who's a small part. A good cast enriches everything.