I love working with people I've worked with before and that can be true of when people have worked together. But if two people have a natural chemistry and it just works, to be there for the first time, particularly on a story where it's about these two people meeting for the first time, that goes a long way.

I don't have a particular genre that I want to stick to; if you work on a small piece, you take that experience with you when you work on a big piece and vice versa. You will take those experiences with you and they will make the next one richer.

People grow and change and develop through their experiences, so ultimately you have to go with what's in the room - the feeling you get from them and what the camera picks up.

When you're casting, you have to do quite a bit of research. But I always think you have to do it with a pinch of salt with actors, because it's so unfair to pigeonhole them and so often they are. I try to be as open as possible and if people are really interested and really want to have a go, then let's get them in and see them.

I love working with people I've worked with before and that can be true of when people have worked together. But if two people have a natural chemistry and it just works, to be there for the first time, particularly on a story where it's about these two people meeting for the first time, that goes a long way.

The camera kind of finds things that the naked eye can't even see. By moving in a certain way, you're already telling part of the story.

When Shakespeare doesn't feel like Shakespeare, it's the best.