The camera kind of finds things that the naked eye can't even see. By moving in a certain way, you're already telling part of the story.

I love working with people I've worked with before and that can be true of when people have worked together. But if two people have a natural chemistry and it just works, to be there for the first time, particularly on a story where it's about these two people meeting for the first time, that goes a long way.

When Shakespeare doesn't feel like Shakespeare, it's the best.

I don't have a particular genre that I want to stick to; if you work on a small piece, you take that experience with you when you work on a big piece and vice versa. You will take those experiences with you and they will make the next one richer.

When you're casting, you have to do quite a bit of research. But I always think you have to do it with a pinch of salt with actors, because it's so unfair to pigeonhole them and so often they are. I try to be as open as possible and if people are really interested and really want to have a go, then let's get them in and see them.

People grow and change and develop through their experiences, so ultimately you have to go with what's in the room - the feeling you get from them and what the camera picks up.

The camera kind of finds things that the naked eye can't even see. By moving in a certain way, you're already telling part of the story.