he line has almost become a work of art in itself; one can not play with it when the representation of objects perceived was all-important.

Our time has produced a need for contrast. This has been achieved not only in the external appearance of plastic expressions of coulor and matter, but also, and chiefly, in the tempo of life and in the techniques related to the daily, mechanical functions of life; namely standing, walking, driving, to lying and sitting - in short, every action which determines the content of architecture.

In place of the dream, the future will put art on a scientific and technical basis.

Art as language....in the future there will only be art. This common language will carry the message of love.

When contemplating a work of art it is possible to perceive if it has been created according to the eye or to the spirit, in other words, if it projects three-dimensional reality or spiritual n-dimensionality.

The complete and definitive work of art is created beyond one's individuality... ...The universal transcends such a level. Mere spontaneity has never created a work of art which possesses a lasting cultural value. The method leading to universal form is based upon calculations of measure and number.

To be oneself is being neither under bond nor borrowed nor sold nor hired. To be, means to be spiritually free.