We speak of concrete and not abstract painting because nothing is more concrete, more real than a line, a color, a surface.

In place of the dream, the future will put art on a scientific and technical basis.

The square is to us what the cross was to the early Christians.

There is an old and a new consciousness of the age. The old one is directed towards the individual. The new one is directed towards the universal. The struggle of the individual against the universal may be seen both in the world war and in modern art.

When contemplating a work of art it is possible to perceive if it has been created according to the eye or to the spirit, in other words, if it projects three-dimensional reality or spiritual n-dimensionality.

We speak of concrete and not abstract painting because nothing is more concrete, more real than a line, a color, a surface.

In all these products, whether iron bridges, locomotives, automobiles, telescopes, cottages, airport-hangars, funicular railways, skyscrapers, or children's toys, the will towards a new style expresses itself. The similarity of these examples to the new creations in art consists in the same striving for clear, pure form which expresses truth in the objects.