There is an old and a new consciousness of the age. The old one is directed towards the individual. The new one is directed towards the universal. The struggle of the individual against the universal may be seen both in the world war and in modern art.

Our time has produced a need for contrast. This has been achieved not only in the external appearance of plastic expressions of coulor and matter, but also, and chiefly, in the tempo of life and in the techniques related to the daily, mechanical functions of life; namely standing, walking, driving, to lying and sitting - in short, every action which determines the content of architecture.

The complete and definitive work of art is created beyond one's individuality... ...The universal transcends such a level. Mere spontaneity has never created a work of art which possesses a lasting cultural value. The method leading to universal form is based upon calculations of measure and number.

Each superfluous line, each wrongly placed line, any color placed without veneration or care, can spoil everything, that is, the spiritual.

When contemplating a work of art it is possible to perceive if it has been created according to the eye or to the spirit, in other words, if it projects three-dimensional reality or spiritual n-dimensionality.

We speak of concrete and not abstract painting because nothing is more concrete, more real than a line, a color, a surface.

...every machine is the spiritualization of an organism.