I loved writing something people usually have - miscommunication, for example. Now that I've written a romance, I'm sure I'll write more: it's fascinating to put people together and see what happens, how they fall in love and what that means in their lives.

I loved writing something I'd never written before, and I wanted to write not just about "true love" but also a human relationship.

Jorge Luis Borges wrote a poem when he was in his 80s about one day writing the book that would justify him. This was long after he had become one of the great masters, a writer everyone looks up to and reveres. As artists, I don't think we ever see ourselves as done. We always think we're at the beginning . . .

Nature inspires me continually. Today, I can look out my window and see the entire world covered with snow. It's like Narnia under the White Witch.

I'm used to writing fairy tales that can be somewhat dark, and the truth is that in fairy tales, romances are always problematic. They may end happily ever after, but someone's getting pushed into an oven or has blood in her shoe.

The format of the book was the idea of my wonderful editor, Stephen Segal. Stephen and I had worked together before, on projects for the Interstitial Arts Foundation, and when he got the idea for an accordion-style book, he called and asked if I could write the story for it. I told him that I would love to try! And I knew it had to be a love story, because that's the sort of story you really want to hear from both perspectives. I mean, imagine if Pride and Prejudice were told from Darcy's perspective as well as Elizabeth's. It would be quite a different story!

That sort of effort has to come not only from the writer but also from a really innovative publisher like Quirk.