I refuse to do shows that are narrowly constructed, that appeal to only one sentiment. I do a lot of Jewish material in front of non-Jews and a lot of non-Jewish material in front of Jews on the simple theory that the non-Jews are entitled to a glimpse of a Jewish world and the Jews are entitled to a glimpse of the world.

On the stage you're there, it's live. There's a beginning, a middle, an end. When something is funny you hear it right away.

But there is a difference here: When Jewish children are murdered, Arabs celebrate the deed. The death of an Arab child is no cause for celebration in Israel.

I prefer to make common cause with those whose weapons are guitars, banjos, fiddles and words.

I don't speak out because I am an actor nor will I keep silent because I am an actor. I respect my profession, but it endows me with no special privileges; but it also does not limit me or muzzle me. I am a person and a citizen with the attendant responsibilities of voice and vote.

But, when I toil in the field of Jewish culture which I frequently do, I am indeed a Jewish artist.

I do prefer the stage. It's really the granddaddy of them all.