I try not to observe myself in the process of composing a poem because I don't want to come up with a formula, which I would then be unscrupulous in using.

I work best in rhyme and meter. I was most confident of myself in that way.

There have been two popular subjects for poetry in the last few decades: the Vietnam War and AIDS, about both of which almost all of us have felt deeply.

When I first started teaching at Berkeley in 1958, I could not announce that I was gay to anybody, though probably quite a few of my fellow teachers knew.

I try not to observe myself in the process of composing a poem because I don't want to come up with a formula, which I would then be unscrupulous in using.

My thoughts are crowded with death and it draws so oddly on the sexual that I am confused to be attracted by, in effect, my own annihilation.

My old teacher's definition of poetry is an attempt to understand.