Electronic music right now is in its comfort zone, and it's not moving one inch.

It’s always this thing where we’re constantly waiting for something that will come in electronic music that says, ‘Daft Punk sucks!’ That’s actually much more interesting and exciting than someone who is paying homage.

I am definitely pro-European, even pro-global, and house music and electronic music has developed a network all over the world, between record shops in Berlin, Tokyo, London, Chicago, Minneapolis and L.A. That's really what I feel part of, rather than being French.

We like the idea that the things we do seem to come out of nowhere.

We come from a generation that wanted to make electronic music accepted, at a time [when] it was not.

Hip-hop has always been exciting and interesting to us.

Human After All was the music we wanted to make at the time we did it. We have always strongly felt there was a logical connection between our three albums, and it 's great to see that people seem to realize that when they listen now to the live show.