Directing, you have to put yourself in a certain state, it's all about the energy you have and the energy you transmit to people, to the actors, to the crew. It's peculiar.

Editing is a very tough period. You're confronted with yourself. It's a deep, dark, truthful mirror.

That's the luck we have with making films in Europe. It's still, in some ways, a virgin territory for a lot of stories. It's funny to see people in 10-gallon hats somewhere in France or Switzerland. You think, "Wow, is this real?" You do it in Wyoming and it's redundant.

People who work in distribution will be distributors all their life.

I think it's great to change - change country, change anything.

It's great to represent things that are not represented.

I wanted to direct when I was very young. I had no idea of cinema, of who's doing what. That was my first instinct: "Okay, I want to be the boss."